![]() ![]() There was a full-time position on the show just to run interference. Arnold Margolin, co-creator of the show with Jim Parker, told me recently that the creative side of the network wanted the show to be more daring, while the censors kept their red pencils ready. Added to the attraction was the fact that we could say and do things that were taboo on every other TV show in the early ‘70s. Each segment of the hour the show ran each week was a one-act play created entirely by us. Give him something to work with.’īut with Love, American Style, every character was our very own every situation came out of our heads. ‘Think of the actor who’s playing that delivery boy,’ I can hear Billy Persky, the co-creator or That Girl, say: ‘This is a big break for him - it’s the biggest role he’s had so far. Sure, we could create the occasional guest-star role, and we had been told to make every role, no matter how small, a real person. For every other show, I was writing for characters created out of someone else’s head. “But the show I loved writing the most, was Love, American Style. One of the writers, Peggy Elliott, was interviewed by the Huffington Post in May of 2013, and she talked about her time writing for the show. Many people wrote for the show, but Garry Marshall and Jerry Belson received the most credits. The series received Emmy nominations for Outstanding Comedy Series in 19 Best Music Composition in 1971, 1972, and 1973, winning in 1973 and winning the Emmy in 1970 for Outstanding Original Music and Lyrics. ![]() ![]() There were 53 different directors during the four-year run. The executive producer of the show was Arnold Margolin, Stuart’s brother. The snappy melody was set to the following words: He currently lives in Branson and conducts the “new” Lawrence Welk orchestra. John married Janet Lennon, one of the Lennon sisters who performed on The Lawrence Welk Show. He is also known for writing Bobby Sherman’s hit, “Julie Do You Love Me?”. Ron retired in the early 2000s, and Tom does a variety of things. They also did the singing for The Partridge Family theme and songs performed on the show as well as the Brady Bunch kids. The group provided television theme song recordings including Batman, That Girl, Happy Days, and Laverne and Shirley. John and Tom Bahler, brothers who sang under The Charles Fox Singers were also part of this group. The Ron Hicklin Group could be heard in a variety of motion pictures and commercials, and they also appeared on recordings with stars such as Paul Revere and the Raiders and Cher. Each smaller episode is titled “Love and the _.”ĭuring the second and subsequent years that Love, American Style was on the air, the theme song was performed by the Ron Hicklin Group. This fast-paced anthology show featured two to four mini episodes each week, and between them were quick skits, often featuring a brass bed. Like Laugh In, the clothing, furnishings, and vocabulary do not make it timeless. Today we begin with Love, American Style. For the next five weeks, I’m taking a look at each of the shows that made this schedule so enjoyable. Watching an episode of The Partridge Family today makes me feel 10 again. While the boys were divided between Marcia Brady and Laurie Partridge, every girl of that age had was in love with Keith Partridge. Sitting through an entire evening of shows was almost unheard of back then, but we binge watched every Friday night. Anyone who was born in the late 1950s or early 1960s can remember sitting down in front of the television at 7 pm (central time) for the Brady Bunch and staying put through The Partridge Family, Room 222, The Odd Couple, and Love, American Style. There was something magical about the Friday evening television schedule from 1971-1973. ![]()
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